“Though nothing can bring back the hour
　　Of splendor in the grass, of glory in the flower
　　We will grieve not, but rather find
　　Strength in what remains behind.”

隔了多年，却在一个夏日自责的午后想起。。。。
那时的我还看不懂这部电影，却莫名其妙地哭，为那淡淡的青春的哀伤。
记得虽然这部电影有一些细节处理得比较突兀，但整部片子的调调还是非常感动我。。。

上学期做过关于这部电影的presetnation
很是suffer了一番
刚开始看可能不会太喜欢
因为电影拍的时间比较早，手法不是很成熟，很多地方甚至有点拙劣
比方一上来就是男女主人公的比较“激情”的戏，可能是主题的需要吧，个人觉得露骨了些～
不过片子了的主题还是蛮深刻的，通过一对年轻恋人的爱情悲剧，表达对维多利亚时代道德，尤其是性压抑的一种质疑与谴责....
全篇贯穿wordsworth的一首诗以揭示其主题，并营造一种感伤的氛围～
William Wordsworth's 1807 Ode, Intimations of Immortality from Reflections of Early Childhood
“Though nothing can bring back the hour
Of splendor in the grass, of glory in the flower
We will grieve not, but rather find
Strength in what remains behind.”

It works wonders when beautiful verses are weaved in with plots, especially as motifs. It struck you time and time again and made an ever so strong echo in your mind and heart.
William Wordsworth is probably my favorite poet in the English literature. I love his "I Wondered Lonely". The lines where the title of this movie comes from are also impressively beautiful, making the movie as poignant as possible.
Natalie Wood is so convincing as the tormented, love-sick young girl brought up to be good. And the debut of Warren Beatty is quite successful.
Natalie's portrait of madness is not over the top, thank goodness.
The movie ends on a good note, maybe still too good to be true. People sent to a mental institute do no usually turn out that normal due to the medical conditions at that time. Still, it's Hollywood and it got to end that way.

【天涯何处觅知音】1961佳片有约，很多年前在电视上看过，以为忘记了……
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