Colonial discourse, such as cinema, increases the possibility of the colonizing white men’s social identities, while it strips away black people’s social identity. White colonizers have the option of “going native” when donning brownface, such as in the case of Harry Feversham in The Four Feathers and both the historical and fictional Sir Lawrence. Both ventures were dangerous and Lawrence did not achieve certain goals he set out to achieve. Rendered in colonial cinema

1
哈瑞打小就在家里受夹板气，他当大元帅的爸爸就是看不上他，连个12岁生日都过不好，特别是听到了这句话： There is no place in England for a coward. War is war, men are men。
哈瑞不缺少独立的思想，他不愿意被洗脑，学一个侵略者侵入中国，苏丹，去当殖民地的走狗。他宁可当懦夫，在家里清醒的活着。
可是朋友们赠送给他的4根羽毛，说明他是懦夫，刺激他去完成任务。
2
在1902年梅森的小说原著当中，杜伦茨上尉就是受到基希纳将军的指派，把苏非教团吸引走引开，让英国大军能够渡过尼罗河

四片羽毛：饱满！就是为了一根小小的羽毛？
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