没仔细排版,见谅。
I remember my father telling me, “The eyes of God are on us always.”
The man who remembers is Judah Rosenthal, a respected ophthal-mologist and community leader. As Woody Allen’s Crimes and Misdemean-orsopens, he is being honored at a banquet. He lives on three acres in Connecticut, drives a Jaguar, built a new wing on the hospital. During the course of the movie he will be responsible for the murder of a woman who loves him.
She dies not because of his passion but for his convenience. In this
darkest and most cynical Allen comedy—yes, comedy—he not only gets away with murder but even finds it possible, after a few months, to view the experience in a positive light. If the eyes of God are on him always, what does that say about God?
Woody Allen has made more than forty movies; the best are Annie
我们一生中都要不断面对,痛苦的抉择,道德的抉择,有的选择意义重大,大部分都是鸡毛蒜皮的小事,但是,我们做什么样的选择,就决定了我们是什么样的人,我们实际上是我们所做选择的总和。
世事难料,生活也有诸多不平之事,在上帝造物的时候,仿佛没有考虑到人类幸福这件事。只有靠我们自己,每个人爱的能力不同,才会赋予这个无情的宇宙以意义。
但是,大部分人,都有能力继续生活下去,甚至从小事中寻找到快乐,比如,从家人,工作,还有从对未来一代的希望中找到快乐,希望他们可以更加理解生活。
观后感,非影评。
1.中国的思维惯式是:性本善还是性本恶? 西方思维则是存在与本质谁先谁后,存在主义所秉持的是存在先于本质,所谓“性本如何”根本就是伪命题。就像片中男主的亲戚说, Do you not find human impulses basically decent? May姑姑回答,there's basically nothing. 你就是先存在, 一片空白,你的选择才确定你的本质,你并不是一出生就有“美德” ,也不是像基督教思想一直灌输给人类的那样一生下来就是罪人。但又是什么决定了“选择”呢?似乎又回到“本质”上来了,不过外界因素,或者命运,它们的作用也被考量了进来。
2. 如果因为害怕上帝的惩罚而遵守其规则,这便不是自发、真正的道德了。伦理道德准则本质上解决不了任何问题。杀人是罪,那么杀人未遂且无人知道呢?仅仅有杀人的念头而未付诸行动呢?一个人每天会产生多少罪恶的想法呢?影片的编剧伍迪艾伦本人如果从未有杀人的设想,怎么写得出来杀人犯的心理活动?艺术家可能为了表现罪恶而去体验罪恶,变成罪人,也可能在艺术作品中纾解自己罪恶的心事
《罪与错》人物鲜明的喜剧片 潜意识的奴隶
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